Antique Collecting: Enamels And Metalwork

Antique Collecting: Enamels and Metalwork

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Enamels

Enamels are types of glass, clear or opaque, used for painting on porcelain and also for decorating metals. The latter include bronze, copper silver and gold. There are several different ways in which metals may be enamelled:

Champlevé: small spaces are scraped from, or moulded in, the surface of the article and filled with enamel. This technique was used first many centuries ago and is said to have been introduced to both the Orient and Europe from Constantinople, capital of the Byzantine empire.

Cloisonné: the body of the article is covered in a series of cells (or 'cloisons') by means of wire soldered on to the surface. The cells are filled with enamel powdered and mixed into a paste, careful firing melts the powder without disturbing the soldering, and after the enamel has been levelled and polished the metal-work is gilded. The Chinese and Japanese were very skilful workers in this technique, and Chinese pieces of the Ch'ien Lung period are not uncommon. Earlier examples are scarce.

Plique à jour: rather similar to cloisonne, but the metal wires form open windows filled with transparent enamels.

Basse Tailk: the surface of the patterned metal is covered with a coating of transparent enamel through which the design can be seen. This method and the foregoing, plique à jour, were used principally for the decoration of jewellery and snuff-boxes.

Painted enamels: usually these are in colours on a white ground; the white being fired on a copper base before further colours are added. Grounds of colours other than white are used in a similar manner. The French at Limoges made finely painted plaques from the end of the fifteenth century onwards. Examples are rare and .valuable, but they have been imitated. European enamels introduced to China in the eighteenth century inspired copies, and the Cantonese made them plentifully in the reigns of Yung Cheng and Chien Lung. Many of them are very well painted, some with European scenes and figures copied from engravings. It should be remembered that they have been made continuously with little variation in style, but modern pieces do not have the careful finish of the old.

One of the best-known names connected with enamels in England is that of Battersea; a factory to which a great amount of the work made elsewhere is popularly ascribed. At York House, Battersea, just outside London, enamelled copper wares were made between 1753 and 1756. Its principal claim to remembrance is that it was the seat of the first use of printing for decorating enamels; a process used shortly on porcelain. Pieces definitely made at Battersea are few, and the majority of eighteenth-century English enamels were made in the Bilston area of south Staffordshire. Contemporary Continental examples were of similar design; these and modern copies present many problems to the collector.

Metalwork

Iron and Steel

Iron can be divided into two types: with little carbon content it becomes malleable and is steel or wrought-iron, and with more than the minimum of carbon remaining in its composition it is cast-iron and inclined to be brittle. Probably the greatest use of the metal in the past was in the making of armour and arms. Armour was used both for protection in battle and in jousting, and for ceremonial purposes. In the first instances it was designed not only to resist blows from lances and cudgels but to deflect them and upset the opponent's balance. Ceremonial equipment on the other hand, displayed the art of the armourer to the best advantage and exhibited his prowess at ornamenting a suit in the most striking manner. Fine armour of either type is now extremely rare outside museums, and even if it was available very few collectors have space in which to display it adequately. Embellishment takes the form of engraving, gilding, raised patterns, and damascening: inlay in gold and silver.

Swords and other hand weapons were often highly decorated; early ones of fine quality are rare, but seventeenth- and eighteenth-century examples can be found.

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... 1800s and 1900s, and the first electric signs of the early 1900s ? porcelain-enamel ... also attends swap meets for gas station memorabilia collectors and shows featuring antique ...
Cincinnati museum a ?sign of the times? - US and Canada- msnbc.com
... 1800s and 1900s, and the first electric signs of the early 1900s ? porcelain-enamel ... also attends swap meets for gas station memorabilia collectors and shows featuring antique ...
Cincinnati museum a ?sign of the times? - US and Canada- msnbc.com
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